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The second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre.The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes.Each country entry is written by specialists in the particular country and the volume has its
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Relations between theatre and state were seldom more fraught in France than in the latter part of the eighteenth and during the nineteenth century. The unique attraction of the theatre, the sole source of mass entertainment over the period, accounts in part for this: successive governments could not ignore these large nightly gatherings, viewing them with distrust and attempting to control them by every kind of device, from censorship of plays to the licensing of playhouses. In his illuminating study, F. W. J. Hemmings traces the vicissitudes of this perennial conflict, which began with the rise of the small independent boulevard theatres in the 1760s and eventually petered out in 1905 with the abandonment of censorship by the state. There are separate chapters on the provincial theatre, while the French Revolution is given particularly detailed attention. This work, complementing his earlier book The Theatre Industry in Nineteenth-Century France, will be of interest to students of theatre history, French studies and European culture in general.
Theater and state --- Theater --- Censorship --- History --- Theatrical science --- anno 1700-1799 --- anno 1800-1899 --- France --- 19th century --- 18th century --- Theater and state - France. --- Theater - Censorship - France. --- Theater - France - History - 19th century. --- Theater - France - History - 18th century. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- State and theater --- Art and state --- Government policy
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Theater --- Semiotics --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History --- Semiotics. --- Europe --- Court and courtiers.
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One of the first internationally published overviews of theatrical activity across the Arab World. Includes 160,000 words and over 125 photographs from 22 different Arab countries from Africa to the Middle East.
Drama --- Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Drama, Modern --- Dramas --- Dramatic works --- Plays --- Playscripts --- Literature --- Dialogue --- History --- Philosophy
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Theater --- Motion pictures --- Drama --- Drama. --- Motion pictures. --- Theater. --- Technique --- History and criticism --- Technique. --- Arts and Humanities --- Literature --- theater --- show --- dramaturgy --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Dramaturgy --- Authorship --- Playwriting --- Drama, Modern --- Plays --- Dialogue --- Philosophy --- Dramas --- Dramatic works --- Playscripts
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The Stage and Social Struggle in Early Modern England is a ground-breaking study of a controversial period of English literary, cultural, and political history. In language that is both lucid and theoretically sophisticated, Jean Howard examines the social and cultural facets of early modern theatre. She looks at the ways in which some theatrical practices were deemed deceptive and unreliable, while others were lent legitimacy by the powerful. An exciting and challenging work by one of the leading writers in the field, The Stage and Social Conflict in Early Modern England is important reading for anyone interested in the period.
English literature --- Theatrical science --- Drama --- anno 1600-1699 --- anno 1500-1599 --- -Theater and society --- -Engelse literatuur: toneel; drama--?"15" --- -Actors --- Engelse literatuur: toneel; drama--?"15" --- -Social status --- Theater and society --- Theater --- Actors --- Society and theater --- History --- Social status --- Social aspects --- 820-2 "15"
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The first book to examine the practical techniques of Augusto Boal, Playing Boal illuminates and invigorates discussion about Boal's work and the transformative potential of theatre.
Theater --- Political aspects. --- Boal, Augusto. --- Boal, Augusŭtto --- Pinto Boal, Augusto
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L'explosion soudaine de voix féminines qui caractérise le spectacle contemporain nous invite à réfléchir à des modes de discours qui, loin d'être nécessairement révolutionnaires, restent complémentaires des voix antérieures. Diverses sont les approches, comme le sont encore les problématiques, soulignant à l'envi le caractère pluridisciplinaire de notre entreprise, la présence de voix de femmes là où on ne les attend guère. "Les voix du spectacle vivant" prolongent les échos vibrants de voix chères venues d'ailleurs, venues de loin ; inflexions de tendresse, d'amitié, de pugnacité, d'intolérance aussi.
Women in the theater --- Women in motion pictures --- Women on television --- Women in literature --- profession --- voix de femmes --- acteur / actrice
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How, why, and according to whose definitions and requirements does a culture self-consciously create memory and project its fate? In this remarkable book-the first in English to treat Russian history as theatre and cultural performance-Spencer Golub reveals the performative nature of Russian history in the twentieth century and the romantic imprisonment/self-imprisonment of the creative intelligentsia within this scenario.
Russia (Federation) -- Intellectual life -- 20th century. --- Russian drama -- 20th century -- History and criticism. --- Theater -- Russia (Federation) -- History -- 20th century. --- Theater and society -- Russia (Federation). --- Theater and society --- Theater --- Russian drama --- Drama --- Music, Dance, Drama & Film --- Russian literature --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Society and theater --- History --- History and criticism --- Social status --- Social aspects --- History and criticism. --- Russia (Federation) --- Intellectual life --- Russian Federation --- Rossiyskaya Federatsiya --- Rossiya (Federation) --- Rossii︠a︡ (Federation) --- Российская Федерация --- Rossiĭskai︠a︡ Federat︠s︡ii︠a︡ --- Rosiĭsʹka Federat︠s︡ii︠a︡ --- Російська Федерація --- Federazione della Russia --- Russische Föderation --- RF --- Federation of Russia --- Urysye Federat︠s︡ie --- Pravitelʹstvo Rossii --- Правительство России --- Pravitelʹstvo Rossiĭskoĭ Federat︠s︡ii --- Правительство Российской Федерации --- Правительство РФ --- Pravitelʹstvo RF --- Rosja (Federation) --- Eluosi (Federation) --- O-lo-ssu (Federation) --- 俄罗斯 (Federation) --- Roshia Renpō --- Federazione russa --- OKhU --- Orosyn Kholboony Uls --- Russian S.F.S.R. --- RF (Russian Federation) --- Россия (Federation)
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Theater --- Theaters --- Theater. --- Zeitschrift. --- Tschechische Republik. --- Opera-houses --- Playhouses (Theaters) --- Theatres --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Theaters. --- Czech Republic. --- Arts facilities --- Auditoriums --- Centers for the performing arts --- Music-halls --- Performing arts --- Acting --- Actors --- Česká republika --- Česko --- ČR --- Czechia --- Tschechische Republik --- Czechoslovakia --- Češka --- Cheko --- Cheko Kyōwakoku --- Chequia --- República Checa --- República Txeca --- République tchèque --- Tschechei --- Tschechenland --- Tschechien --- Txeca
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